Ki, Guard, And Super Mode

The French Wukong scoring runs on two things: the seconds of the hold, and the ki meter that turns the guard into the wave's own moment. The threats come from four directions - left, right, up-left, up-right - and the guard is the click on the threat before it reaches the door. Every clean guard adds a point of ki, and the meter is the wave's own tell for the moment the guard stops being a click and starts being the pose: when it is full, the run goes into the super mode - the wider guard, the slower threats, and the same stance the dragon-ball hero on the poster was made to stand in. The card is the two numbers in one: how long the hold ran, and how many guards it was made of.

The camp on the card. The month would have filed the run in three camps, and the card keeps them:

• Past the super - the hold ran through the ki meter and kept going. The wave's own top camp: the clip where the pose was the guard and the guard was the pose, and the door stayed open past the run.
• Through the super - the hold made it to the meter and held through the slower threats. The mid camp of the month: the run that kept coming, and the guard that did not close on it.
• The closed door - the hold ended on the misses, the three that reached the door. The bottom camp of the month: the run the door had to close on, which is the wave's own first clip - the one before the pose.

Why the two numbers are one. The hold is not a speed test - it is the run of the month in one number, and the ki meter is the moment of the wave in the same run. The camp says which half of the story the run belongs to: past the super is the second wave of the month (the pose, the re-enactments, the door that stayed open), and the closed door is the first one (the street, the threats, the run that the guard was made to stand in front of). The card's two numbers - the seconds and the guards - are the two waves in the lane's own order, and the share is the same as the wave's own clip: the pose, not the street, is the part that stays.